Showing posts with label amelia. Show all posts
Showing posts with label amelia. Show all posts

'Amelia' - DVD & Blu-ray [updated]

Christopher Eccleston film 'Amelia' will be released:

Region 1 - February 2
amazon.com DVD --- 2-disc Blu-ray

Region 2 - March 8
amazon.co.uk DVD


EXTRAS

Deleted Scenes:
'A Social Worker in Boston', 'Amelia's Fiancé Before the Friendship Flight', 'The Queen of Diamonds, Mabel Boll', 'Arrival in Wales', 'Dorothy Putnam', 'Dorothy's Departure', 'George and Gene', 'Rose Garden Press Conference', 'Going Cameling' (Eccleston featured), 'Additional Around the World Flying Montage'

--- Following Region 1 only ---

Featurettes:
'Making Amelia', 'The Power of Amelia Earhart', 'Movietone News Reels'

Blu-ray also to include: a digital copy and additional featurettes 'The Plane Behind the Legend' & 'Re-constructing the Planes of Amelia'.

High-def Digest article.

'Amelia' - DVD Review

eccleston in amelia
Region 1, 20th Century Fox.
Written by Ronald Bass & Anna Hamilton Phelan; Susan Butler (book "East to the Dawn"), Mary Lovell (book "The Sound of Wings"), directed by Mira Nair.
With H. Swank, R. Gere, E. McGregor, C. Eccleston.

The 'Amelia' DVD arrived in Region 1 this week. I purchased the standard wide screen version (for differences with BluRay and European release see this post).

First, the packaging on my DVD is sloppy. The picture on the front is from the European posters - a sepia airbrushed picture of Swank and Gere touching noses, meant apparently to demonstrate their passion, not exactly my fave pose, but whatever. The back has smaller pictures of Gere and Swank by the Electra, on the beach, and a picture of Ewan McGregor. No Eccleston, but here is the thing, the cover is glued on the box crooked. Sloppy. Otherwise standard box and DVD, no insert.

Standard features in terms of language and look. There is NO commentary feature.

The "Extras" consist of: Deleted Scenes, two "Making of" type features, Movietone news reels from the era and the trailers.

The deleted scenes are good, while there are a couple of duplications of the ones that did appear in the movie, and a couple are "voiced over" as if meant to be bridging scenes, those that interested me were the Virginia Madsen scenes. There are at least three of her portrayal of Putnam's wife, and they are increasingly interesting as they illustrate a bit more how Amelia and Putnam became involved, and some undercurrents of emotion.
The scenes progress from Mrs. Putnam being a supportive wife and friend to Amelia, to declaring she is leaving George for another lover, to her final scene as a drunk and vulnerable woman whose "farewell" party was overshadowed by Amelia's presence. There is also a scene between McGregor and Gere - Vidal and Putnam talking while Amelia is upstairs with Gore, and again, the undercurrents here would have added some nice drama if it had been used.

There are also a couple more scenes, one with Amelia's fiancé where he tells her if she flies again, he will take that as a sign they aren't to be as a couple. I was left wondering if they had mentioned the fiancé in other cut scenes, or even if there are more scenes out there, and the ones on the DVD are only the finished ones that may have been in early cuts of the movie. Otherwise the scene, which is good, comes out of the blue. There is also a scene depicting Mabel Boll, one of Amelia's rivals, kind of glam scene with paparazzi where Boll wisecracks about Amelia. I am not sure about the purpose of the scene - meant to show she had rivals, or class distinction? But Boll is played by Mariska Hargitay, who is a popular and award winning television actress in America - should have kept the scene just to get her fans to the show!

Christopher Eccleston appears in the deleted scenes, "going cameling", where he declines to accompany Amelia on a camel ride and later looks over the desert sunset with her and has some dialogue. The scene is beautiful, and CE's accent is spot on, but did not really add to the story, except to make me wish, as always, that the focus of the film had been the journey around the world - they came darned close to making it! It was an accomplishment and an exotic journey that gets lost in the fact of the disappearance.

There are two "Making of" features. The second, "The Power of Amelia", starts out with comments from Nair and Swank, as well as producer Lydia Dean Pilcher talking about how impressive and ground breaking Amelia was, and how they hope this film will give her wider exposure etc., and then somehow segues into praise for the costume and set designers, and then after a long interval of that back to Amelia. Don't get me wrong, the set and costume designers kicked ass on this film and deserve their due, it was just a weirdly organized featurette. Everyone was very positive and upbeat - excited about the project, which makes its lack of success more painful to think about really. For some this movie was a labor of love.

The "Making of Amelia" feature is probably the best treat for Eccleston fans. Nair, Swank, Gere, McGregor, Eccleston, Pilcher are interviewed about the film, Amelia, other characters, the actors, the Electra and South Africa. Nair looks as if she did her interviews in an apartment or office, Swank is interviewed against a backdrop, some months later if her hair is any indication (perhaps not to break the illusion of the character), Gere and Eccleston are filmed on the "New Guinea" set in South Africa. I believe we saw several of the snippets of the Eccleston interview around the time of the film's US release.

First, the movie and project is discussed (although not its interesting history from indie to big studio film etc.), then everyone gushes over HS, her talents and ability to live in the character, including Eccleston, who calls her a gift to the production. He also praises her attention to detail and focus, her generosity with a fellow actor. Then there is discussion of Gere, primarily his charisma, Nair thinks people come to the movie looking for that - she likes beauty, and HS and RG make a "beautiful couple".

There is a brief discussion of Gene Vidal - but not McGregor (which is interesting given that supposedly they really worked hard and adjusted production schedule because they were so adamant to have him in the film). Then the discussion turns to Eccleston - he discusses Fred Noonan at some length, then Nair and Swank begin to gush over him. Nair talks about his natural ease, lack of ego, earthiness etc. He measured up with HS with ease and comfort. Swank goes on to say that he took a complicated person and showed his imperfections and wonderfulness. Eccleston closes by discussing how much he enjoys working on set run by women: that he gets to be vulnerable and creative.

The trailers are the ones we have seen, the Movietone news reels are short, but fascinating.

All in all worth having this DVD if you are an Eccleston fan, because I believe it's an excellent performance - extras are fairly basic if that sort of thing is important to you!

/Chiclit
2010-02-06

Main Amelia post


'Amelia' - Alex's Review

I did go to see the film with an open mind. And was treated most gruesomely. There were barely any traces of structure or narrative, and in its best moments it reminded of an otherwise decent feature that suffered something horrifying in the editing process.

With a tad less vitriol I could say that Amelia is actually two films, fighting each other. There's the genuinely fascinating and cheeky story about a woman who dared to dare (the good). And there's a trite and stifling 50's melodrama (the evil). Unfortunately, it's not even the case of 'where two fight, the third one wins'.

On the side of the evil we have Richard Gere, who at times - hopefully unintentionally - seems to be mentally leering at the proceedings around him and the movie itself, and his George Putnam is degraded. Juxtaposition that profiting from and loving the same woman implies is never used to full, and he doesn't appear to be interested in either. There's also the score, emphasising pathos, which is already in excess because of the subject. Going sentimental is a deadly trap, if you're trying to show adventure too.

And if you're showing adventure and action, the key thing is making it comprehensible. Even knowing all the exploits by heart, I found it sometimes difficult to place the scenes, I doubt that even making notes of all time/place stamps would have helped much. It's not about rewriting or truncating of the events - there isn't anything else, honestly speaking - but about building a basic narrative. There is no logic to sudden jumps here and there.

In the no man's land we find Ewan McGregor as Gene Vidal - doing what's required from him; unfortunately, there's only an artificial function for his role. His objections to stopping at Howland make little sense - in reality it was him after all who built the airfield there for Amelia.

On the side of the good there's definitely Hilary Swank as Amelia Earhart. She's impressive, and I loved her voice. Although there's some insecurity, she makes the film bearable. Just enough realism, Amelia is shown both as having technical expertise and somewhat reckless. Especially great are these moments when Amelia seems to be amused, incredulous of the spectacle around her, and the scenes of flying, both happiness and worry.

Speaking of flying, Friendship's hop over the ocean is wonderful. It shows perfectly the reality of planes held together by shoestrings. Earhart's solo flying over the Atlantic is rather good too.

Now, the World Flight itself. There's no excuse that it isn't used as a backbone for the film. Chopping the round the world journey up like that, offering accidental glimpses into it doesn't just rob it of its scale and splendour, but also invalids the whole feature. Instead of being made a device to build the dramatic tension, it's completely compromised by the same randomness, reigning over the film.

Christopher Eccleston. It's one of his trademark chillaxed performances, that he, I suppose, could deliver on his way to a supermarket. His accent is American to a frightening degree, and there's the usual precision and presence.
No doubt he could play Fred Noonan as well.

His character in the film unfortunately is one of the victims of dial-a-script, and without Eccleston's effort would have been an utter caricature. What we have now, are, again, more tantalising glimpses of how awesome the film could have been - his irony and his cool set against Earhart's vitality and pluck. Add various details of very non-everyday everyday life in the air, more events on the ground in faraway places - and you'd have Amelia's character displayed like an open book, not just an interesting film.

All of the more promising scenes are cut short. And I cannot see any development towards the better in the end. Eccleston, being a background decoration, is subject to poor continuity, where it is expected that viewer's focus is on Swank. As for his character, he's not allowed any redeeming for that delusional claim he's an alcoholic and a nuisance. Earhart's messages are never explained, and it's essential to know that Noonan's skill did bring them to the vicinity of the island, the line of position (not to speak about successfully guiding them almost round the globe).

All in all, it's a cheap trick to imply technical troubles suddenly surfaced during the Lae - Howland leg. There were already problems way before the final takeoff. And there are more discrepancies. The direction finder on Howland went low on its batteries because it was being used in attempts to take bearing on the plane, and not just left idly on - and the main problem anyway was that Amelia had never been told about it being there. The Electra did receive the Morse code - via radio - but neither of them could read it.

All these misunderstandings early in the preparative stage that accumulated and eventually brought the disaster about, could - employing viewer's knowledge of the outcome - have been a perfect way to create a buildup.

I'm not saying there was nothing to enjoy. But all the good things - Swank's and Eccleston's acting, splendid cinematography (how great is that iconic shot of the Electra taking off?) - are totally wasted in the film that bends the facts to show what it wants, and isn't even sure what it wants.

2009-11-21


P.S.: director Mira Nair in FilmInk (Nov 16):
"This came to me as an independent film financed by one man, Ted Waitt, who formed Gateway Computers," Nair explains. "That was a big plus for me. He said, 'Here's a cheque, you hire your team - this is an independent film.' After a year with the studios [working on Shantaram], the last thing that I would do is sign up for a studio film. I've made a few, so I know the dance. But then, three months later, we had a new script, the planes were being built, I'm directing it, and so much was happening. Then three studios got interested, and the investors sold the project to a studio a week before shooting. The good news was that it was Fox Searchlight, who had done The Namesake with me, but ... it's a studio. So you have to make that whole investment of energy where you are submitting to market research and all those other things that they do. Sometimes it's for the good of the movie, and eventually I would say that we made a strong movie that I can absolutely stand behind. Throughout the whole process, however, there is a lot of energy expended that is not necessarily about filmmaking."

'Amelia'

23 Oct 2009
Film
Dir. Mira Nair
Wr. Ronald Bass & Anna Hamilton Phelan;
Susan Butler (book "East to the Dawn"),
Mary Lovell (book "The Sound of Wings")
Role: Fred Noonan (the navigator).

 
CE bio & image from official site 

International release dates (IMDb)

Reviews:
Pre-première online reviews
 
(only reviews mentioning CE will be covered post-première)

All relevant critics' quotes: Part 1, Part 2 

In-house: Chiclit's review - guest review by Joanr16 - Alex's review
 

DVD & Blu-ray release info

Videos
(links to elsewhere on the blog if not noted otherwise):


Trailer: CE as Fred Noonan

"Finding the Electra": Mira Nair, Hilary Swank, CE


Behind-the-scenes II: Noonan & Earhart flying above Africa


Behind-the-scenes I: Extracts from the film


"Luke Field Crash" excerpt from the film

B-roll: Swank & CE, filming


Site
--- Gallery --- IMDb --- Trails [Traileraddict] --- Facebook

News (most recent first):
  • More from Nair on casting CE (movieweb.com):
    I loved the rest of this cast as well, like Richard Gere, Ewan McGregor and Christopher Eccleston. Were they attached when you came on board as well, or did you find them?

    Mira Nair: Oh no. Only Hilary was and I cast the rest of them. I mean, I've loved Christopher Eccleston for so long and, in fact, the studio was less aware of him than I was and I really had to make a case for him. He's just fantastic in the role and Ewan, of course, we all strived for and Richard as well. We just went role by role.
  • The Hollywood Reporter. On CE's casting:
    Nair worked with veteran casting director Avy Kaufman ("The Sixth Sense," "Brokeback Mountain") in rounding out the rest of the cast. One of the more unique casting choices in the film is British actor Christopher Eccleston as aerial navigator Fred Noonan, who disappeared with Earhart in her legendary last flight. Eccleston is best known for his stint as the time-traveling hero in the long-running BBC sci-fi series "Doctor Who."

    "I've adored Chris Eccleston since his first roles in 'Jude' and 'Shallow Grave,' and I think he's one of the most extraordinary actors," says Nair. "He looks blindingly like Fred Noonan and has sex appeal, but most of all Chris just has an absolute natural ease with the camera and with himself. He's very earthy and independent, yet without ego, as Fred was. Fred had all sides to him. He was both a hard drinker and the best navigator in the world, and Chris nailed that contrast. I think the scenes with Fred and Amelia at the end of the film are truly moving and memorable."
  • Article on visual effects for 'Amelia'.
  • Watch short CBS documentary feature on Amelia Earhart here at cbsnews.com.
  • Three short clips w/ Hilary Swank as Amelia Earhart can be viewed off-site here, here and here.
  • The Envelope, Los Angeles Times Awards Insider, takes a closer look at the secretive movie, and finds that prolonged post-production has given positive results. More about target group and prospects here.
    [...] she's [Swank] even better in the quieter moments behind the controls of the plane -- particularly in a suspenseful sequence toward the end where she and her navigator (expertly played by Christopher Eccleston) try to fly their way out of trouble.


Still from the film: Noonan & Earhart. Source

  • Official companion to the film, 'AMELIA: The Motion Picture' by Mira Nair to be released on Oct 20th. Pre-order it at Barnes and Noble. Fox Searchlight:
    The book features scenes from the film, including side-by-side comparisons of the real people and events with their on-screen counterparts, as well as an abbreviated script, and historical ephemera of Amelia's life. Original press clippings, photographs, maps and stories from cast and crew will provide readers with a well-rounded and fascinating view of the woman who became a legend.
  • Watch video here at moviejungle.com. Oct 16th press conference w/ Hilary Swank, Mira Nair, Susan Larson (President of the Ninety-Nines, aviation group of women pilots), Susan Butler ("East to the Dawn: The Life of Amelia Earhart"), Elgen Long ("Amelia Earhart: The Mystery Solved").
    HILARY SWANK AND MIRA NAIR TO MAKE SPECIAL PRESENTATION TO NINETY-NINES PRESIDENT SUSAN LARSON
    ...with items from the production of AMELIA to launch a commemorative exhibition at the Amelia Earhart Birthplace Museum in Earhart’s home town of Atchison, Kansas on October 23, 2009, which is also the date the film opens in theaters!
    As part of the exhibit, the museum will celebrate "Earhart Education Week," in which people can learn about the legendary aviatrix and the making of the film.

Trailer: Gere, Swank, Eccleston

  • The score by Gabriel Yared will be released on 10th Nov, by Varèse Sarabande.
  • Free screening in Baltimore on 21st Oct, registration at Atomic Popcorn.
  • Official site updated 8th Oct; info, CE bio and images in this post.
  • mtv.com 'Oscar Watch: George Clooney, The Coen Brothers and More'.
  • 'Amelia' will open the newly launched Doha Tribeca Film Festival on the 29th of October. Their page for the film, also watch Highlights from the festival's films.


Trailer: Luke Field scene

  • On September 22nd Mira Nair appeared at Independent Filmmaker Conference (New York),'The Global Marketplace' day, where she discussed "her distinguished career and where she sees indie film heading". lttlbgGrl (Twitter) relayed director's answer to our question regarding the post test-screening changes: "it depends on the version you saw, the last version is more potent and has more action".
  • The poster can be beheld at comingsoon.net.
  • First trail has been released (Jun 26), watch here on the blog.
  • A short trailer has been aired following the Academy Awards ceremony, but it's not been made officially available.

Trailer: Noonan & Earhart

Reviews before the 23rd Oct
: 
Beliefnet B-; MNFilmTV (CE +); The Washington Post 1 1/2; Eonline C; David Elliott 2; The Washington Times 2/4; The Wall Street Journal; Roger Ebert 3; Reelviews 2 1/2/4; IndieWire; Slant Magazine 1 1/2/4; National Post 2; Contra Costa Times C-; Comingsoon.net 7.5/10; Dustin Putman 2 1/2/4; Deseret News 2 1/2/4; nj.com 2; npr.org; JSOnline 2 1/2; Chicago Tribune 2; LA Times; Metromix 2/5; Gary Thompson C+; Carrie Rickey 3/4; msnbc; LAWeekly; MovieWebOneGuysOpinion C-; Brian Orndorf C; Wilmington 3 (CE +); Back Stage (CE +); Miami Herald 2 1/2; Starpulse.com 3/5 (CE +); AVClub D (CE +); stltoday.com 2 1/2 (CE +); ScreenDaily; TimeOut Chicago 2/5 (CE +); Emanuel Levy C-; Entertainment Weekly C+; David Germain, AP 2/4 (CE +); Chicago Tribune 2 1/2; The New York Observer; DesiHits 4/5; PopCultureNerd (CE +); Boxoffice.com 3/5 (CE +); Kansas City Star 3/5; Variety 3/5; (CE +); Hollywoodreporter.com (CE +)

'Amelia' - Chiclit's Review

I am grateful that Christopher Eccleston portrayed Fred Noonan in 'Amelia'. I am grateful for two reasons, one because he added much needed heart and grit to the movie, and two because it prompted me to rediscover the legend that is Amelia Earhart prior to seeing the film.

This is an old fashioned movie, with beautiful scenery, costumes, famous actors - one that you could take both your niece and grandmother to see without embarrassment. There should be more movies like this one, but with most entertainment directed toward young male audiences and male critics it seems likely that movies such as Amelia will become increasingly rare and therefore deserves support.

The movie was made by a talented and committed team; and much of the craft, particularly in the area of costumes, sets, and aerial shots is stunning. If the movie was made for 20 million as I have read, then most of the money is on the screen.

Amelia Earhart was an amazing woman, coming of age at a time when women with careers were regarded suspiciously - she tried on a variety of vocations and educational pursuits, all the while tending to the needs of her parent's rocky marriage as a good daughter of that era would. She became a nurse's assistant and worked during the pandemic flu outbreak. She studied both engineering and medicine. Her significant work as a social worker in Boston was highly regarded even as she got involved in record breaking journeys as a flier. I really wish the movie had the luxury to give time to more of that Amelia than the one we see in 'Amelia'.

Instead the script wants to focus on her alleged love triangle - which seems like a rather clichéd vehicle by which to view the life of accomplished, pioneering icon of America. And indeed, it almost seems as if either script writers or possibly director couldn't really decide on an approach to take with the screenplay - many characters are present for a scene or two and then fade away. They also couldn't seem to decide if they want to portray Amelia's actual life and influences, or her life as 'Amelia Earhart Public Figure'. The script attempts to make some points about the public persona and activities Earhart was forced to undertake to support her flying habit and George's lifestyle - up to and including her final flight, but ultimately plays it safe by never really committing to exploring the issues around that and the concept of celebrity.

The movie also fails to commit to a death scenario - and there are so many out there that have been speculated upon - indeed, having introduced so many minor characters earlier in the film it might have been interesting to see them react to news of her disappearance (Elinor Smith, young Gore Vidal, Eleanor Roosevelt) and to understand how, if it all, they went on to honor or remember her.

I do not generally regard Mira Nair as a tentative director, therefore I wonder if this movie is example of that old adage that 'too many cooks spoil the broth'? I wonder if the movie I saw is entirely the one she intended. I am actually looking forward to the DVD because I suspect there are a number of scenes left on the cutting room floor.

The performances: Swank is a gifted actress, capable of natural, earthy performances. That's why she has two Oscars. Her quiet moments as Earhart are excellent, but the rest of the time her performance is pitched just a little broad - I think it's meant to convey Earhart's leadership abilities and the bravado with which she carried herself, but it just didn't work 100% for me. Swank looks like Earhart, but instead of inhabiting her character she sometimes seemed to be inhabiting her character's costume. She seemed to be struggling a bit with her midwestern accent - it is so strong as to be distracting at times. I found her opening scenes with Gere as Putnam when they were bantering in dueling accents (hers 'Kansas' and his Boston Brahmin) to be off-putting, despite some decent dialogue and fabulous period detail. Swank brought this film to the screen as a producer and does a decent job with it, so will give some credit where credit is due.

I like Richard Gere, and he has some good moments as the jealous husband, but he has played the hustler, the deal-maker, and lover/mentor to younger women one too many times. I think younger and different casting in the Putnam role might have added some juice to the 'triangle' and more gravitas to the film.

Ewan McGregor plays advisor Gene Vidal, and despite being very charming, is barely used; but acquits himself well in his brief scenes. I thought he connected well with Swank on screen - and found their affair believeable - although apparently some folks are casting doubt on the historical accuracy of the affair claim.

And finally, Christopher Eccleston as doomed navigator Fred Noonan. To use a baseball analogy he is the relief pitcher, the closer. Comes in for a short stint, performs well, the overall score dependent on the team and the W/L goes in someone else's name, too. Eccleston portrays Noonan with passion, intensity and natural grit. In a few short scenes and lines he is able to indicate that Fred has a complicated backstory without us having to hear all the detail, we know him. He has a great chemistry with Swank and provides a way for the audience to finally get inside and feel this movie and what the characters are going through. The final third of the movie felt more accessible and I credit that to Eccleston's presence.

Although not every aspect of the movie lived up to aspirations, few things do. I would encourage people to go to this film if you like good old fashioned movies, like to see women as lead characters, and especially if you like Christopher Eccleston, his movie roles are way too few and far between, so savor this one.

2009-10-24

'Amelia' - Guest Review

Review of 'Amelia' by Joanr16

Superficially at least, Amelia puts me in mind of Elizabeth, minus the sex and violence: powerful female lead; various types of self-interested men in her orbit; tweaked history; showy costumes; soaring cinematography.

The script is another matter, and I tend to agree with the critics who say Amelia, overall, falls short of the mark.

Random thoughts about Eccleston's performance: both MacGregor and Gere are forced to chew his dust; he needs to practice his American vowel sounds a bit more; and nobody, but nobody, does a better drunken leer than our Chris.

I would be absolutely thrilled if he's nominated for big prizes for this performance, but I guess we'll have to wait and see on that. Those things are so political.

Sometimes I need to see a film two or three times to get the full impact, but for the most part my first impressions of the overall film, and even of Swank's performance, do agree with the critics. There was something almost... mannequin-esque about Swank's Amelia, at least compared to her Oscar-winning performances, which were raw and intense.

And I acknowledge that the story's ending, now a 72-year-old legend known throughout the world, would be hard to get right. But after several tense minutes of frustrating radio exchanges between Earhart and the ship Itasca, with the fear and desperation plain on Swank and Eccleston's faces, the film just sort of peters out. (Although I suppose the alternative would have to involve the various speculations as to what became of the plane and its occupants, which probably is a terrible idea.)

Fred Noonan's own story was so sad, I find myself agreeing completely with the reviewer who said Fred should've had his own movie. Noonan really was something of a genius navigator (essentially a mathematician), until his alcoholism ruined his reputation (I may be the victim of "received ignorance," for all the Earhart bios I've read over the years put forward the notion of his alcoholism; whereas perhaps Noonan, himself, was the victim of a whispering campaign.)

He took the extremely high-profile but poorly-planned Earhart flight in the desperate hope of restoring his name and career. That's the kind of character CE can play like a symphony; in Amelia we get a few short bursts of a Yo-Yo Ma cello solo, but that's all. Add the fact that Earhart's own father was an alcoholic, and you see lots of missed opportunities. (I'm starting to imagine what a two-person stage play might have been like, starring Eccleston and Swank. Eccleston could have explored Fred's desperation, and Swank could have thrown her heart into Amelia, the way she did with Brandon Teena.)

I'm sure many people will love Amelia, and they're certainly not wrong to do so. It has wonderful cinematography and editing. Swank has that eerie-resemblance thing going. And the film's heart is absolutely in the right place, even if its head may be a little woozy.

One last thought: returning to the Amelia/Elizabeth comparison. Both films starred two of the world's greatest actresses, and among all the men in their orbits, Eccleston was the one actor who truly held his own opposite them. (Well, him and Geoffrey Rush. Nobody messes with Geoffrey.)

Well done, CE.

2009-10-24

'Amelia' - Reviews II

Main 'Amelia' post

Reviews Part 1

Quotes from USA where no country given.

Comingsoon (DVD) 6/10 Feb 9
Christopher Eccleston fares better [than Gere and McGregor] as Fred Noonan, Earhart's ill-fated navigator. Unfortunately he's portrayed as a drunk and somewhat incompetent.
Leon at the Movies 5/10 Jan 22 (2010) (South Africa)
Much more successful are Ewan McGregor as her sometime lover and Christopher Eccleston as her unstable navigator with an alcohol problem. They put a much needed spunk into their scenes.
Pay-Per-Hack Writer Nov 16 (Canada)
the only decent turn in amelia is christopher eccleston as navigator fred noonan, who vanishes with her. he's lumped with a caricature role as the good-hearted drunk (there are a lot of drunk men in this movie, though not her father), but he chucks it overboard and turns in a convincing piece - much as he did as the dangerous general near the end of 28 days later.
View London ***-- Nov 11 (UK)
There's also strong support from Christopher Eccleston [...]
Andrew L. Urban Nov 5 (Australia)

[...] but it's Christopher Eccleston as her navigator Fred Noonan who impresses the most, in a challenging role that could easily be overplayed.
Kennebec Journal Nov 5
[...] the vast sparkling Pacific that she and Noonan (a very good low keyed performance by Christopher Eccleston) saw as they began to run out of gas.
The Magic of the Movies Nov 5 ***
Other standouts in the cast include Joe Anderson as Bill Stultz, the skeptical pilot of her first trans-Atlantic trip and Eccleston as Fred Noonan, the ace--but perhaps a bit too alcoholic--celestial navigator of her final journey. Both convey doubt turning to trust convincingly, with Eccleston's character a bit more complex than Anderson's. Eccleston and Swank get the very last moments we see of Amelia and Noonan just right, and eloquently, acting in a confined space with just their faces, eyes and few movements.

Overall, if you're going to see Amelia, see it for the love stories and the main performances by Swank, Gere and Eccleston.
Great History Oct 30
The best of these supporting performances comes from Christopher Eccleston as Fred Noonan, making the round-the-world flight and the interaction between him and Earhart the most compelling in the film.
El Nuevo Herald Oct 30
El trabajo de Gere y McGregor es notable, pero la mejor actuación masculina es la de Christopher Eccleston como Fred Noonan, el fiel copiloto que se esfumó con Earhart en la postrer etapa de la incompleta vuelta al mundo. Medio borracho en un bar, Noonan/Eccleston le confiesa a Amelia que siempre existió al margen, como observador de un triángulo impenetrable. Es el momento cumbre de una película que tiene muchos.

[Gere and McGregor do a remarkable job, but the best actor is Christopher Eccleston as Fred Noonan, the faithful co-pilot who disappeared with Earhart on a stage of ultimately unfinished circumnavigation of the world. Semi drunk in the bar Noonan/Eccleston confesses to Amelia having always remained an observer on the border of the impenetrable triangle. It's one of the peak moments in the film.]
See Magazine Oct 29 ** (Canada)
Swank, Gere, McGregor, and the wonderful Christopher Eccleston (as the alcoholic celestial navigator Fred Noonan) feel like passengers on a whirlwind tour.
Southpawfilmworks Oct 26
Christopher Eccleston, as Earhart's navigator Fred Noonan, is reduced to an alcoholic liability, giving Earhart one more opportunity to convince Putnam that she can "handle it" when her husband fears the worst.
Diana Saenger Oct 24 **1/2
Fortunately, Christopher Eccleston, as Amelia's navigator Fred Noonan, who also disappeared with her, brings some of the more intriguing moments to the screen.
Seacoast Online Oct 24 **--
The film only reaches great heights when it's literally in the air — during the two trans-Atlantic flights and at the end, when Amelia and Fred Noonan (Christopher Eccleston, accent still distracting me, although not as much as in "G.I. Joe") make their ill-fated attempt at reaching Howland Island.
Those scenes had some tense action and the film could've used more of that energy.
(By the way, in terms of the great disappearance mystery, the theory in use seems to be "throw Fred Noonan under the bus while protecting Amelia's reputation.")
Short and Sweet NYC Oct 24
[...] Christopher Eccleston's dynamic portrayal of navigator Fred Noonan was a real standout in this biopic.
Zorianna Kit Oct 23 **---
Over the next decade, we see her rise to greater heights both literally and figuratively, up until that fatal final flight where she and navigator Fred Noonan (a terrific Christopher Eccelston [sic]) disappear over the Pacific Ocean, never to be seen or heard from again.

'Amelia' - Reviews I

Main 'Amelia' post

Reviews Part 2

Quotes from USA where no country given.

Dallas News Oct 23 **---
Tellingly, the best moments are provided by two minor characters. [...] And Christopher Eccleston is great – edgy and provocative – as navigator Fred Noonan. He went down with Amelia that day her plane was lost. The highest praise I have for Amelia is that it made me wish the movie had been about him.
Rolling Stone Oct 23 *---
But innovation takes a back seat to endless visions of Swank smiling through as she and her navigator (Christopher Eccleston, in the film's best and unfussiest performance) are last seen flying over the Pacific.
Allan Given Oct 23 **---
Woefully underutilizing the talent of Christopher Eccleston (ELIZABETH), the filmmakers simply gave Eccleston a couple of throw away scenes that really did nothing to further what could have been a much more dynamic storyline.
Film School Rejects Oct 23 D
The Upside: Two standout performances: A convincingly tragic Christopher Eccleston as Earhart's navigator Fred Noonan, and Earhart's Lockheed Electra. It's a damn shame that beautiful bird was never found.
We Are Movie Geeks Oct 23 ***1/5--
The only person with Amelia on that final flight was her navigator Fred Noonan, with a subtle performance from Christopher Eccleston [...]
David Edelstein Oct 23
The navigator, Fred, is an alcoholic played by Christopher Eccleston, who has more chemistry in his brief scenes with Swank than either Gere (who's trying to dampen his sex appeal) or McGregor [...]
Blast Magazine Oct 23 **--
Christopher Eccleston ably backs her up as her navigator, Fred Noonan.
Le Cinema Oct 23 **--- (Canada)
[...] Christopher Eccleston continue d'étonner en évitant constamment les faux pas.

[Christopher Eccleston continues to amaze constantly steering clear of mistakes.]
Denver Post Oct 23 **

Swank is sturdy, watchable as Earhart. But the film's finest moments belong to Christopher Eccleston, who plays Fred Noonan, the navigator who disappeared with Earhart.
By the time Noonan clasps his hands and looks to be bowing his head, the chronology of "Amelia" has looped back to the fated flight.
Above a vast ocean, the two aim for Howland Island, a speck in the Pacific.
In a tart scene earlier, gifted celestial navigator and earthbound drinker Noonan had challenged Earhart about her relationships.
Now he provides a pantomime of faith in pilot Earhart, but also a sincere wish that God be a co-pilot, too.
Post-Gazette Oct 23 **1/2--
Christopher Eccleston's Noonan has the ring of a real person.
Reel Views Oct 22 **1/2--
Both Ewan McGregor and Christopher Eccleston are underused. That's especially disappointing in Eccleston's case, because Noonan seems to be a more interesting character than the title one. (Although it's doubtful a film called Fred could have been greenlighted.)
MNFilmTV Oct 22 **
However, Christopher Eccleston (kind of funny that him and McGregor are in this since they were both in SHALLOW GRAVE together), sports a surprisingly convincing american accent as a navigator.
Wilmington on Movies Oct 22 ***
[...] with fine performances by Hilary Swank as the spunky, expert flier Amelia, [...] Christopher Eccleston as her hard drinking navigator Fred Noonan [...]

Eccleston has one good pseudo-seduction drunk scene, and he sometimes shows an unsettling facial resemblance to the Spencer Tracy of Test Pilot. The climactic Lockheed Electra sequence, with Amelia and Fred lost in clouds over the Pacific, unable to hear their ground crew’s radio, and calmly or nervously headed toward apparent disaster, is really well-done, crisp and thrilling.
Back Stage Oct 22
Best among the men, though, is Christopher Eccleston as Fred Noonan, her dedicated but alcoholic navigator. Their scenes together as she attempts to fly around the world are tense, exciting, and splendidly played by both actors.
Starpulse Oct 22 ***--
Other performances worthy of highlighting are that of Ewan McGregor who portrays Earhart's friend and lover, Gene Vidal, as well as the performance of Christopher Eccleston who portrays round the world navigator, Fred Noonan.
All four give performances that will likely be in the running for an Oscar and Golden Globe; particularly Christopher Eccleston. His character of Fred Noonan was the one with the most depth and arch. Eccleston's performance gives you the sense of truly being there in the plane with Earhart, and makes you feel the same chills that Noonan and Earhart must have felt upon realizing their impending doom.
A.V. Club Oct 22 D
The messy fascination of life is replaced by a schematic series of setups and payoffs. The second it’s mentioned that Christopher Eccleston’s navigator is a recovering alcoholic, it's clear that it's only a matter of time before he falls off the wagon at a pivotal moment. His lived-in performance is one of the film's only bright spots, though, along with Cherry Jones' fleeting turn as an impish Eleanor Roosevelt.
STL Today Oct 23 [22] **1/2
And the last segment of the film, in which the ill-fated Earhart and an emotionally scarred navigator named Fred Noonan (Christopher Eccleston) hopscotch across the Southern Hemisphere, is heartbreaking. But since it isn't tethered to a suspenseful ending, there's no reason why "Amelia" shouldn't have aimed for the stars.
Time Out Chicago Oct 22 **---
Swank is an excellent physical match for Earhart, though she always seems as if she's playing period-drag dress-up as opposed to inhabiting a character. Her romantic scenes with Gere are bloodless, her trysts with McGregor (despite his swoon-inducing baby blues) even more so. But platonic sparks fly between her and Christopher Eccleston, who plays Earhart's ill-fated navigator, Fred Noonan, with aggressively bloodshot gravitas.
Entertainment Weekly Oct 21 C+
Christopher Eccleston, as Noonan, is the one understated player in this endeavor.
David Germain Oct 21 **--
A sturdy supporting cast that includes Christopher Eccleston, as the navigator who disappeared with Earhart on her final flight over the Pacific [...]
Pop Culture Nerd Oct 19
Christopher Eccleston offers prickly but stouthearted support as Earhart's navigator, Fred Noonan.
Box Office Oct 19 ***--
Christopher Eccleston has a small but powerful role as Fred Noonan, the navigator that vanished with Earhart on her last flight.
Variety Oct 18
As Fred Noonan, the often-soused but skillful navigator who vanished along with Earhart, Christopher Eccleston strikes up a prickly chemistry with Swank [...]
Hollywood Reporter Oct 18
The business of flying in those days was fraught with peril, however, and the film does a good job of creating suspense during Earhart's last flight. Christopher Eccleston makes a fine contribution as her navigator.
Pete Hammond Oct 14
[...] she's even better in the quieter moments behind the controls of the plane -- particularly in a suspenseful sequence toward the end where she and her navigator (expertly played by Christopher Eccleston) try to fly their way out of trouble.

'Amelia' - Luke Field Clip

2009-10-19 New clip from 'Amelia' emerged, showing the disastrous take-off from Luke Field, Honolulu. Earhart (Hilary Swank) and Noonan (Chris Eccleston) intend to fly to Howland (what should have been the second leg of their journey around the world), but the accident prevented them. Subsequently, after the repairs, World Flight was restarted, this time though in eastward direction.






Main 'Amelia' post

'Amelia' - Short Clip

2009-10-16 A clip from 'Amelia', with a glimpse at Eccleston as Noonan, part of NBC's 'Today' programme.


Watch whole Hilary Swank's appearance on the show here (launches msnbc.com site's player).

'Amelia' - Inter and B-Roll

2009-10-16 Chris Eccleston behind-the-scenes interview for the coming film 'Amelia'. Eccleston plays Amelia Earhart's navigator Fred Noonan. Film opens on the Oct 23rd in the US.




Interview about: Woman being a central character, flying in 30's, Hilary Swank as Amelia



Mira Nair directs Chris Eccleston:




B-Roll
: Various scenes from the movie being filmed



More interviews w/ cast & crew over at traileraddict.com

Main 'Amelia' post